{"id":1586,"date":"2021-01-01T12:42:24","date_gmt":"2021-01-01T12:42:24","guid":{"rendered":"https:\/\/migrate.worlddancemovement.com\/?page_id=1586"},"modified":"2021-01-23T19:58:58","modified_gmt":"2021-01-23T19:58:58","slug":"anbeta-toromani","status":"publish","type":"page","link":"https:\/\/worlddancemovement.com\/fr\/faculty\/anbeta-toromani\/","title":{"rendered":"Anbeta Toromani"},"content":{"rendered":"
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Anbeta Toromani\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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BALLET CLASSIQUE - ALBANIE \/ ITALIE\n\n\n\n\n\n\n\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Anbeta Toromani est n\u00e9 \u00e0 Tirana en Albanie o\u00f9 il a fr\u00e9quent\u00e9 l'Acad\u00e9mie nationale de danse. Le dipl\u00f4me a \u00e9t\u00e9 obtenu \u00e0 Bakou, en Azerba\u00efdjan. <\/p>\n

De retour en Albanie, il rejoint imm\u00e9diatement le Corps de Ballet du Teatro dell'Opera de Tirana en tant que danseur principal o\u00f9 il interpr\u00e8te, depuis son entr\u00e9e dans la compagnie, les r\u00f4les principaux de ballets c\u00e9l\u00e8bres tels que \u00ab Giselle \u00bb, \u00ab Don Quichotte \u00bb \u00ab Cendrillon \u00bb. \u00bb, \u00ab Paquita \u00bb, \u00ab Carmen \u00bb. Au cours de la saison 2002-2003, il a particip\u00e9, en atteignant la finale, \u00e0 l'\u00e9mission t\u00e9l\u00e9vis\u00e9e \u00ab Friends \u00bb, anim\u00e9e par Maria De Filippi et a \u00e9t\u00e9 choisi par le r\u00e9alisateur Patrick Rossi Gastaldi pour danser dans sa mise en sc\u00e8ne de \u00ab L'Histoire du soldat \u00bb de Rocco Papaleo. Depuis 2003, Anbeta fait partie du casting du programme \u00ab Friends \u00bb en tant que Prima Ballerina. Parmi les prix obtenus ces derni\u00e8res ann\u00e9es, le Prix Gino Tani (2004) pour les arts du spectacle et le Prix Danza & Danza (2005).<\/p>\n

Au cours des deux derni\u00e8res saisons, Anbeta Toromani a \u00e9t\u00e9 invit\u00e9e \u00e0 danser au Sferisterio de Macerata dans \u00ab Macbeth \u00bb, mise en sc\u00e8ne par Pier Luigi Pizzi et chor\u00e9graphie de Gheorghe Iancu, et plus tard dans \u00ab Carmen \u00bb, avec chor\u00e9graphie de Gheorghe Iancu et mise en sc\u00e8ne Prix Oscar Dante Ferretti . Nell de l'\u00e9t\u00e9 2009 a \u00e9t\u00e9 la protagoniste de \u00ab Anbeta & Jos\u00e9 \u2013 Tour 2009 \u00bb, une soir\u00e9e de gala qui a pr\u00e9sent\u00e9 Anbeta au th\u00e9\u00e2tre avec un groupe de danseurs des meilleures compagnies de danse du monde.<\/p>\n

En 2010, il est invit\u00e9 au Teatro San Carlo de Naples pour quelques soir\u00e9es de gala et de nouveau au Sferisterio de Macerata pour \u00ab La derni\u00e8re croisade de Lombardi \u00bb mise en sc\u00e8ne par Pier Luigi Pizzi et chor\u00e9graphie de Gheorghe Iancu. En 2010 et 2011, il est t\u00e9moin de la Danse du Festival du Film de Giffoni. En 2012, h\u00f4te de nombreux galas imprtanti Parma, Udine pour la Croix-Rouge italienne et Mirandola pour les victimes du tremblement de terre, interpr\u00e9tant le pas de deux de Carmen et Rom\u00e9o et Juliette avec la chor\u00e9graphie du ma\u00eetre Amedeo Amodio.<\/p>\n

En 2013, il accueille l'Op\u00e9ra de Bratislava pour \u00ab Rom\u00e9o et Juliette \u00bb de Massimo Moricone, la m\u00eame ann\u00e9e, il est invit\u00e9 au Teatro San Carlo pour le ballet \u00ab Casse-Noisette \u00bb en 2014 dans le cor \u00ab Mozart Requiem \u00bb. B. Eifman pour le Teatro San Carlo de Naples. <\/p>\n

En 2015, il est toujours l'invit\u00e9 du San Carlo pour le cor "Casse-Noisette". A. Panzavolta, \u00ab Otello \u00bb cor. F. Monteverde, Giselle Cor. L. Semenyaka, en juin, \u00e9tait invit\u00e9 au Teatro Massimo de Palerme pour Coppelia cor. A. Amodio. En 2016, Swanilda dans Coppelia Cor. R. Petit pour le Teatro San Carlo de Naples, le Teatro Verdi de Trieste et le Teatro Regio de Parme, Toujours avec le Teatro San Carlo dansant dans le r\u00f4le de Juliette dans Rom\u00e9o et Juliette Cor. M. Lavrovsky et le Teatro Massimo de Palerme jouent Cendrillon Cor. F. Monteverde.<\/p>\n

D'octobre 2016 \u00e0 f\u00e9vrier 2017, il est l'invit\u00e9 de Casse-Noisette d'Amedeo Amodio pour une tourn\u00e9e dans les grands th\u00e9\u00e2tres italiens. Invit\u00e9 invit\u00e9 \u00e0 de nombreux galas en Italie et \u00e0 l'\u00e9tranger.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Anbeta Toromani CLASSICAL BALLET – ALBANIA \/ ITALY Anbeta Toromani was born in Tirana in Albania where he attended the National Academy of Dance. The diploma was completed in Baku, Azerbaijan.  Back in Albania immediately joined the Corps de Ballet of the Teatro dell ‘Opera of Tirana as a Principal dancer where he was, since […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1562,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1586","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/comments?post=1586"}],"version-history":[{"count":10,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1586\/revisions"}],"predecessor-version":[{"id":3170,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1586\/revisions\/3170"}],"up":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1562"}],"wp:attachment":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/media?parent=1586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}