{"id":1635,"date":"2021-01-01T13:09:58","date_gmt":"2021-01-01T13:09:58","guid":{"rendered":"https:\/\/migrate.worlddancemovement.com\/?page_id=1635"},"modified":"2021-01-23T20:03:25","modified_gmt":"2021-01-23T20:03:25","slug":"noa-paran","status":"publish","type":"page","link":"https:\/\/worlddancemovement.com\/fr\/faculty\/noa-paran\/","title":{"rendered":"Noa Paran"},"content":{"rendered":"
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Noa Paran\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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MOUVEMENT GAGA, R\u00c9PERTOIRE OHAD NAHARIN - ISRA\u00cbL\n\n\n\n\n\n\n\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Noa Paran est n\u00e9e en Isra\u00ebl en 1986. Elle a suivi une formation de danseuse au centre communautaire Kadima. De 2007 \u00e0 2010, il a fait partie de l'Ensemble Batsheva et a dans\u00e9 dans des \u0153uvres d'Ohad Naharin et Sharon Eyal. Elle a \u00e9galement chor\u00e9graphi\u00e9 deux danses pour la plateforme Batsheva Dancers Create.<\/p>

Noa a jou\u00e9 en tant que danseuse collaboratrice dans la pi\u00e8ce pour la paix \u00ab \u00c9ducation physique \u00bb de Maya Levy et Hanan Anando Mars, et a particip\u00e9 au 15e Festival international de danse et de th\u00e9\u00e2tre solo de Stuttgart avec la pi\u00e8ce pour la paix \u00ab C\u00e9l\u00e9bration du Lion \u00bb de Luc Jacobs. Noa a commenc\u00e9 \u00e0 enseigner Gaga en 2008 en Isra\u00ebl et dans le monde entier. Elle donne des cours au Batsheva Ensemble et a enseign\u00e9 dans le cadre du programme de formation des enseignants Gaga. Noa enseigne r\u00e9guli\u00e8rement dans les classes Gaga People en Isra\u00ebl et dans des \u00e9coles et ateliers de danse en Isra\u00ebl et dans le monde.<\/p>

Elle joue actuellement dans un nouveau projet \u2013 une pi\u00e8ce chor\u00e9graphi\u00e9e par Noa Zuk et Ohad Fishif intitul\u00e9e \u00ab \u05f4Garden of minutes \u00bb.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LA LANGUE DU MOUVEMENT GAGA ET LE R\u00c9PERTOIRE D'OHAD NAHARIN\n\n\n\n\n\n\n\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gaga est un langage du mouvement qu'Ohad Naharin a d\u00e9velopp\u00e9 au fil de nombreuses ann\u00e9es et qui est appliqu\u00e9 dans la pratique et les exercices quotidiens des membres de la Batsheva Dance Company.<\/p>

Regardez cette vid\u00e9o dans laquelle Ohad Naharin parle du mouvement Gaga : https:\/\/youtu.be\/OGPG1QL1vJc<\/p>

Le langage de Gaga est n\u00e9 de la croyance dans le pouvoir curatif, dynamique et en constante \u00e9volution du mouvement. Gaga est une nouvelle fa\u00e7on d'acqu\u00e9rir des connaissances et une conscience de soi \u00e0 travers son corps. Gaga fournit un cadre pour d\u00e9couvrir et renforcer votre corps et ajouter de la flexibilit\u00e9, de l'endurance et de l'agilit\u00e9 tout en all\u00e9geant les sens et l'imagination. Gaga sensibilise aux faiblesses physiques, r\u00e9veille les zones engourdies, expose les fixations physiques et propose des moyens de les \u00e9liminer. L'\u0153uvre am\u00e9liore le mouvement instinctif et relie le mouvement conscient et inconscient, et permet de vivre une exp\u00e9rience de libert\u00e9 et de plaisir de mani\u00e8re simple, dans un espace agr\u00e9able, dans des v\u00eatements confortables, accompagn\u00e9s de musique, chacun avec lui-m\u00eame et avec les autres.<\/p>

Gaga a deux morceaux : Gaga\/people et Gaga\/dancers.<\/p>

Cet atelier donne l'occasion aux participants d'apprendre des extraits d'\u0153uvres chor\u00e9graphiques d'Ohad Naharin aupr\u00e8s des danseurs et professeurs de la compagnie. Dans ce cours, les danseurs appliquent leur formation en Gaga au r\u00e9pertoire.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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* Il est fortement recommand\u00e9 aux \u00e9tudiants de s'inscrire au cours de langage du mouvement Gaga et au cours de r\u00e9pertoire Ohad Naharin, car ils se compl\u00e8tent mutuellement. Les danseurs peuvent suivre le cours Gaga et non le R\u00e9pertoire, mais ils ne peuvent pas suivre le R\u00e9pertoire sans \u00eatre inscrits au cours Gaga.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Noa Paran GAGA MOVEMENT, OHAD NAHARIN REPERTORY – ISRAEL Noa Paran was born in Israel in 1986. She trained as a dancer in the Kadima community Center. From 2007-2010 was part of the Batsheva Ensemble, and danced in works by Ohad Naharin and Sharon Eyal. She also choreographed two dances for the Batsheva Dancers Create […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1562,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1635","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/comments?post=1635"}],"version-history":[{"count":10,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1635\/revisions"}],"predecessor-version":[{"id":3234,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1635\/revisions\/3234"}],"up":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1562"}],"wp:attachment":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/media?parent=1635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}