{"id":1763,"date":"2021-01-01T15:02:14","date_gmt":"2021-01-01T15:02:14","guid":{"rendered":"https:\/\/migrate.worlddancemovement.com\/?page_id=1763"},"modified":"2021-01-23T20:06:03","modified_gmt":"2021-01-23T20:06:03","slug":"wes-veldink","status":"publish","type":"page","link":"https:\/\/worlddancemovement.com\/fr\/faculty\/wes-veldink\/","title":{"rendered":"WES VELDINK"},"content":{"rendered":"
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WES VELDINK\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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USA \/ Classe : Contemporain\n\n\n\n\n\n\n\n\n\n\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t"Wes Veldink et ses danseurs se d\u00e9placent avec une qualit\u00e9 f\u00e9roce et sexy qui exprime la passion, la luxure et la rage. L'honn\u00eatet\u00e9 rafra\u00eechissante de leur mouvement emm\u00e8ne le public dans un voyage \u00e9motionnel \u00e0 travers les vall\u00e9es de son propre d\u00e9sir."\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\t\u00a0-Sara Jarrett, r\u00e9dactrice en chef de Dance Spirit Magazine<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le metteur en sc\u00e8ne et chor\u00e9graphe Wes Veldink a commenc\u00e9 \u00e0 d\u00e9velopper son style de danse unique et dynamique il y a plus de deux d\u00e9cennies. Bas\u00e9 sur les fondamentaux du jazz, du ballet et de la modernit\u00e9, son travail transforme la posture et le geste humains en mouvements qui donnent vie aux subtilit\u00e9s de la musique et transcendent les fronti\u00e8res entre la danse commerciale et la danse de concert.<\/p>\n

Apr\u00e8s avoir ouvert un studio de danse \u00e0 16 ans dans sa ville natale, Wes a commenc\u00e9 sa carri\u00e8re \u00e0 Los Angeles apr\u00e8s avoir obtenu son dipl\u00f4me de la prestigieuse Orange County High School of the Arts. \u00c0 Los Angeles, Wes a enseign\u00e9 au EDGE Performing Arts Center, a co-chor\u00e9graphi\u00e9 la vid\u00e9o Blowing Kisses in the Wind de Paula Abdul, a \u00e9t\u00e9 le double de Michael Jackson dans deux vid\u00e9os, a improvis\u00e9 sur sc\u00e8ne avec la chanteuse\/compositrice Ani Difranco et a dans\u00e9 dans le film de Disney. Actualit\u00e9s.<\/p>\n

Apr\u00e8s avoir d\u00e9m\u00e9nag\u00e9 \u00e0 New York, il a fond\u00e9 sa propre compagnie de danse professionnelle, The Wes Veldink Movement, qui a fait une tourn\u00e9e \u00e0 Los Angeles, \u00e0 Toronto et en Cor\u00e9e du Sud. Wes a \u00e9t\u00e9 invit\u00e9 \u00e0 enseigner et \u00e0 chor\u00e9graphier pour l'Oslo State Ballet School\/Oslo Dance Ensemble (Norv\u00e8ge), l'Osaka School of Music et K-Broadway (Japon), le Mediterraneo Dance Festival et le World Dance Movement (Italie), Studio Harmonic. (France), l'Amsterdam Dance Center (Pays-Bas) et la Nadine Bommer Academy (Isra\u00ebl), ainsi que des universit\u00e9s, conservatoires et conventions aux \u00c9tats-Unis et au Canada. Professeur de danse et de mouvement depuis plus de 25 ans, Wes est actuellement membre du corps professoral du Broadway Dance Center NYC et est en tourn\u00e9e avec la convention de danse Artists Simply Human.<\/p>\n

R\u00e9cemment, Wes a chor\u00e9graphi\u00e9 une s\u00e9rie de publicit\u00e9s pour Joe Fresh, une campagne internationale pour Nikon avec Kate Moss et une campagne Revlon avec Olivia Wilde. En musique, Wes a contribu\u00e9 \u00e0 la chor\u00e9graphie de la tourn\u00e9e Set the World on Fire d'Alicia Keys et a \u00e9t\u00e9 directeur\/chor\u00e9graphe de la tourn\u00e9e promotionnelle Heart of Gold d'Ashlyne Huff dans 30 villes.<\/p>\n

De plus, Wes a chor\u00e9graphi\u00e9 et mis en sc\u00e8ne les s\u00e9quences de danse de Gwyneth Paltrow et Leighton Meester dans le long m\u00e9trage Country Strong. Par l'interm\u00e9diaire de sa propre soci\u00e9t\u00e9 de production, \u00ab Calm & Sense Creations \u00bb, il a con\u00e7u, r\u00e9alis\u00e9 et chor\u00e9graphi\u00e9 deux courts m\u00e9trages de danse : Full Circle (tourn\u00e9 dans la for\u00eat nationale de Redwood) et Untitled (tourn\u00e9 \u00e0 Tropea, en Italie).<\/p>\n

Description de la classe\u00a0:<\/b> Mon cours met l'accent sur l'importance de la respiration, de la distribution de l'\u00e9nergie, de la vuln\u00e9rabilit\u00e9 et de la musicalit\u00e9. L'\u00e9chauffement est bas\u00e9 sur le yoga et con\u00e7u pour aider les danseurs \u00e0 faire l'inventaire de leur \u00e9tat mental, \u00e9motionnel, physique et spirituel. Je crois fermement que nous ne pouvons partager efficacement que ce que nous savons. Ma chor\u00e9graphie est une fusion de technique, de nombreux styles de danse et de mouvements humains. Je m'efforce de cr\u00e9er un environnement de classe qui offre des opportunit\u00e9s d'acqu\u00e9rir une conscience de soi, une connexion entre l'esprit et le corps et comment \u00eatre un d\u00e9m\u00e9nageur consciencieux. Les danseurs sont encourag\u00e9s \u00e0 faire preuve d\u2019une grande concentration, d\u2019une imagination sans limites et d\u2019un fort d\u00e9sir d\u2019\u00e9volution. Et de la joie\u2026 beaucoup de joie.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

WES VELDINK USA \/ Class: Contemporary “Wes Veldink and his dancers move with a fierce, sexy quality that wreaks of passion, lust and rage. The refreshing honesty of their movement takes the audience on an emotional journey through the valleys of their own desire.” \u00a0-Sara Jarrett, editor-in-chief Dance Spirit Magazine Director and choreographer, Wes Veldink, […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1562,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1763","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/comments?post=1763"}],"version-history":[{"count":10,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1763\/revisions"}],"predecessor-version":[{"id":3267,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1763\/revisions\/3267"}],"up":[{"embeddable":true,"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/pages\/1562"}],"wp:attachment":[{"href":"https:\/\/worlddancemovement.com\/fr\/wp-json\/wp\/v2\/media?parent=1763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}